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Picks of the Week

  • Harry Dolan: Bad Things Happen

    Harry Dolan: Bad Things Happen
    BAD THINGS HAPPEN is a nifty debut, cleverly told and unfurled from the very first line: "The shovel has to meet certain requirements" on through meeting "the man who calls himself David Loogan." There are reasons for concealment, just as there are reasons the editor of a mystery magazine bearing little resemblance to EQMM or AHMM might bring him into the fold, thus catalyzing a series of murderous events. The twists come quickly and the dialogue is sharp and if it falls apart slightly at the end, no matter - I want to read much more from Dolan from now on.

  • Ian MacKenzie: City of Strangers: A Novel

    Ian MacKenzie: City of Strangers: A Novel
    MacKenzie's debut novel reminded me a lot of Paul Auster's NEW YORK TRILOGY, whether it was intended or not, in terms of his choice of words, the thrust of the narrative and the existential nature of the main character (whose first name, incidentally, is Paul) caught up in a snowballing sequence of strange and violent events in and around New York City. MacKenzie straddles the line between thriller and internal examination of a man's failings, and his ability to do so establishes him as a young writer of serious talent and future.

  • Megan Abbott: Bury Me Deep

    Megan Abbott: Bury Me Deep
    In a word: amazing. In more words: Megan Abbott, who has never delivered anything less than an excellent novel, exceeds expectations and takes a very bold and very necessary step forward both in the quality of the prose, the development of her characters and especially in portraying how obsession seeps into the very soul of people, transforming them into their worst nightmares all too easily. Just read this book. And then tell many others to do so as well.

  • Ninni Holmqvist: The Unit

    Ninni Holmqvist: The Unit
    Understandably, echoes of THE HANDMAID'S TALE are hard to ignore in this dystopic examination of a society where fertility is so high a priority that older, single, marginal women are shut away in secret locales to live out the rest of their lives in seemingly perfect harmony - at least, until the "donations" begin. But Holmqvist's marvelous book doesn't browbeat her thesis into the reader and smartly expands her ideas to look at the plight of all marginalized folk, women and men alike, and how the promise of comforts can be the most horrifying of all. Prepare to be disturbed, but prepare further to think about the ramifications.

  • Paula Froelich: Mercury in Retrograde

    Paula Froelich: Mercury in Retrograde
    This is possibly the most perfect novel for today's economically challenged times. Why? Because it has plenty of glitz and glamor and blind items, as befitting a narrative by the deputy editor of Page Six, but Froelich isn't arch or snarky or acid-tongued in the slightest. Her trio of protagonists land in all manner of embarrassing situations but they aren't played for mean-spirited laughs. The New York here is something of a fantasy-land, but not so far off the mark that it's completely unbelievable. Most of all it's clear Froelich remains sincere and optimistic about her chosen city, and has retained her sense of fun. So no need to check your brain at the door, but sometimes it just needs to chill out and relax.

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October 28, 2004

Goin' through the links

Janet Maslin takes on T Jefferson Parker's CALIFORNIA GIRL, and the result's a head-scratcher. I mean, is she really as condescending about the book as I think she is? Bizarre....

The Sun-Sentinel website tends to be rather flaky, but now they have not only Oline Cogdill's column from last week, they have Sunday's upcoming one as well. Verdicts: she digs PBOs from Chassie West, Elaine Viets and Elaine Flinn, but is rather less impressed with Janet Evanovich's METRO GIRL.

The International Herald Tribune starts a multi-part series on the nature of literary prizes. Why are they considered to be so damn important? Alan Riding tries to answer.

British DJ John Peel died earlier this week, but Transworld's wondering if he ever came close to finishing his autobiography, for which they shelled out a pretty penny. Rumor has it he only wrote 1500 words of it...

Rick Kleffel at the Agony Column interviews sci-fi author Richard Morgan, who's the latest in a long line of novelists to make the jump to comic books.

Another day, another film adaptation for James Ellroy--this time, his brand new collection of essays and novellas, DESTINATION: MORGUE!

And speaking of endless repetition and looping, I present....Allan Hollinghurst: the G&M interview version, and David Mitchell: the Toronto Star version.

The Citizen-Times talks to the four authors (including writer-blogger Karin Gillespie) touring around the South as the Dixie Divas.

Tiffany Murray's debut novel has been called "more dsyfunctional than the Addams family." She talks to the Guardian about the books that influenced her as a child and what prompted her to put a whole new twist on screwed-up familiest.

The paper also interviews Meg Cabot
, of PRINCESS DIARIES FAME, now that the wildly popular books for girls has crossed the pond.

Even though Lionel Shriver's WE NEED TO TALK ABOUT KEVIN has garnered some UK reviews, its actual Brit publication date isn't until March. The Bookseller meets the author who spent all of last year courting controversy.

And finally, it isn't that hard to find a literary connection to the Boston Red Sox: just ask GM Theo Epstein, son of Leslie (of SAN REMO DRIVE fame) and grandson of Julius (of a host of screenplays.)

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Comments

Yes, Sarah. She is that condescending to the book as it seems. And I can't wait to read it.

Oops. Botched syntax alert.

Regarding Jeff Parker's book, I find Maslin's review intereting. I have read this book twice now, and it is Jeff's best piece of work. I find the characters well drawn and the setting is nostalgic but honest. When I talked to Jeff at the Santa Barbara Book Festival, he mentioned that this is the book that he has wanted to write for a long time. I believe a change in publishers allowed this to happen. For me, the book accurately reminds me of growing up in Southern California only miles away from the setting in Orange County during the same time period.

Her reviews are so.... okay, I'll say it: they're lame.

Why do the major papers give primo review spots to people who just waste them?

I agree with Aldo, I recently finished "California Girl" and thought it was fantastic.

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