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  • Adam Thirlwell: Politics: A Novel (P.S.)

    Adam Thirlwell: Politics: A Novel (P.S.)
    One would think this book is about sex, And while it is, since the characters have so much about it, some of it is kinky, and threesomes play a big role in the narrative. mostly POLITICS is about everything else: the mechanics, the logistics, the emotional minefields, the awkward questions, the moral dilemmas, and, well, the politics of what it is to be with someone you love or someone you don't, and how an act that should be simple is anything but. Thirlwell was disgustingly young when he wrote this but he absolutely understands that to make this book work, there must be an underlying sweetness and sincerity to the entire story. Now I want to see what he's up to more recently. Amazon | Indiebound | B & N | Borders | Powell’s

  • Jennifer Mascia: Never Tell Our Business to Strangers: A Memoir

    Jennifer Mascia: Never Tell Our Business to Strangers: A Memoir
    Years ago I was blown away by Mascia's Modern Love piece describing her parents' secret past: her father was a mobbed-up convicted murderer, and her mother not only knew all about it, but aided and abetted her husband when life required being a fugitive, selling drugs, and living at great highs and crushing lows. Mascia's book tells a more whole story about her peripatetic life, and even with every new shocking revelation what remained consistent was how much she loved her parents, no matter how deep those lows went, and how much she misses them now that they are gone. Unconditional love never goes away, no matter if those who receive it deserve it. Indiebound | Amazon | Borders | B & N | Powell’s

  • Juli Zeh: In Free Fall

    Juli Zeh: In Free Fall
    Give me a novel of ideas and if the story is good and the characters are believable and entertain me, I am there. Give me a crime novel of ideas, where two physics professors, friends and rivals, opposites but startlingly similar, do emotional battle on an intellectual canvas, raise the stakes through betrayal, the possible kidnapping of a child, and embroil a romantic-leaning police detective in the complicated machinations of quantum theory, and holy hell, I think I have myself one of my favorite books of the year. Powell’s | Indiebound | Amazon | Borders | B & N

  • Simon Lelic: A Thousand Cuts

    Simon Lelic: A Thousand Cuts
    It appears to be a crime with an easy solution: a disgruntled schoolteacher shoots up his place of employment and kills several students in the process. But really, Lelic's novel is about the catastrophic consequences of bullying, and how this act is hardly limited to kids turning on other kids, but burrows deeply into adult relationships as well. He evokes empathy for the killer and sympathy for Lucia, the investigating officer who has to fight for every scrap of dignity as she pieces together the far more complex truth of what really happened at the school. Powell’s | Amazon | Borders | Indiebound | B & N

  • William Lindsay Gresham: Nightmare Alley

    William Lindsay Gresham: Nightmare Alley
    I cannot stop raving about this book to people. The circular narrative structure, the demented feel of a traveling carny troupe, and the extraordinary rise and precipitous fall of Stan Carlisle give off the persistent, raging feeling that hell is always with us, and success is basically a sucker's game. No matter what the biographical evidence on Gresham's state of mind leading up to and after the book's bestseller (and movie basis) status in 1946, I don't think we can really know what demons plagued him to produce this marvelous noir gem. B & N | Indiebound | Amazon | Borders | Powell’s

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November 11, 2004

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Naomi

To get a taste of the treacherous waters Iris was navigating through, look at some of the amazon.com comments (more than 500!) for The Rape of Nanking. While the numbers of deaths and other statistical details can be debated ad nauseam, there is no doubt (at least to me) that the genocide occurred in Nanjing. I know that Mo Hayder has tackled the same topic in her mystery Tokyo. (I have yet to read it.) I wonder if she'll have better luck in getting her book translated in Japan. In this case nonfiction may be more powerful (and definitely more threatening) than fiction.

Alina Adams

The Rape of Nanking was horrible. Genocide is horrible. But there was nothing Iris Chang could do about that. Her primary responsibility was not to the people she was researching, but to her two year old son.

The "world" may have needed more historians like her, but her son needed a mother, first.

And yes, this is the same Alina Adams who started off a firestorm of discussions in August on this very site about how motherhood was being overexalted in present day literature. I don't believe being a mother is anything heroic, but I do believe that if you chose to have a child, your primary responsibility is to them. And while I am deeply sympathetic to the mentally ill, as Ms. Chang clearly seems to have been, I have no use for romanticizing what she did. You either believe that she had no control over what happened to her, and thus her death was no different than a death from cancer or any other disease, or you believe that she was "driven to it" by her passion or her work or other "artistic" reasons, in which case, she betrayed her family. And, in that case, the world most definitely does not need more women like her.

Naomi

Alina:

You've brought up a good point: what happens when our sense of social responsibility impacts our personal responsibility? I have no definitive answers. But what if someone is so outraged about an injustice and responds accordingly, putting the family at risk?

Of course, in the case of Iris Chang, we are talking about the fragile line of mental health. Many a passion has driven a person to the edge. I don't think how she ended her life was heroic, but certainly her contributions to bringing a tragedy to light was. Would she have killed herself if she hadn't been doing this kind of work? Would her son still have a mother if she slowed down and took more time to address her mental health issues? The same could be asked in numerous other cases. There is a lesson here regarding living a balanced life, but for those struggling with depression, it may not be easily grasped.

I don't think that that a writer can singlehandedly stop genocide, but I do think Iris's work has forced the Japanese to put the Rape of Nanking and other atrocities into their textbooks.

David Montgomery

Suicide is sad particularly because it's generally the result of clinical depression. It's such a shame because it could nearly always be prevented if the person would only seek treatment. I feel deeply for her children.

Elaine Flinn

Reading about Iris Chang had much resonance for me. Not that I've ever suffered from depression, or even contemplated suicide, but some years ago I embarked on a research project for a family saga - ala Robert S. Elegant - encompassing the Rape of Nanking and the Bataan Death March up to the end of World War II. By the time I'd completed my research and interviews, and had written much of the book, my sense of outrage was becoming difficult to overcome. A man that I had inteviewed advised me to put the book away. The atrocities of both events were too great, he'd said, for public consumption. It's still in a box. I only wish someone had said the same to Ms. Chang.

Rebecca

IS the Rape of Nanking in Japanese textbooks nowadays? I spent a summer in Japan in 1993, and I recall a case that got a lot of attention when I was there. A local history teacher had sued the Mombusho (Ministry of Culture, that approves all textbooks) in the mid-sixties because they had (at that time, 30 years earlier) insisted on excising the word "invasion" to describe Japan's activities in Manchuria in the thirties and forties. (We're not even talking loaded terms like "rape" or "genocide." "Invasion" for crying out loud.) The case dragged through the Japanese courts for nearly 30 odd years and in the summer of 1993 the Japanese high court passed a verdict RULING AGAINST THE TEACHER AND IN FAVOR OF THE MINISTRY'S DECISION TO NOT USE THE WORD INVASION. A friend teaching in Japan four years ago (when the movie "Pearl Harbor" was released) noted that her students tended to be very fuzzy on the details of WWII. So, quite frankly, how effective would a Chinese American woman whose work "drew criticism from scholars on Japan" be? And does pitching her work to a mostly American or Chinese audience really make her heroic? And how is it "socially responsible" to kill yourself, thus making certain that you can't even bear witness to the tragedies of the past, much less do anything to redress the wrongs of the present?

Just my way of saying that I'm with Alina on this one again, as with the firestorm on mommy-lit.

sailormars

I just read about Chang's death today and it was truly a shocker to me. As a person who was born and raised in Hong Kong, I was already quite familiar with the history about the Nanking massacre during WW2 before Chang's book came out. Of course the Japan government still denies the truth about its own shameful past till this day and it continually misleads its newer generations about the role their country played during WW2 and the kind of diabolic acts of crime their troops committed throughout Asia and all over the world in that period of time.

When Chang's "Rape of Nanking" came out, I was glad to see that there is an author/historian in this side of the world who cared enough about the subject matter and had the courage to write a book about it. That book has certainly opened a window of this regrettable past to many of its Western readers. Just for this reason alone, Chang should be highly praised.

When I see Chang's face in a picture now, I see a woman who is filled with vitality, strength and wisdom. It is really unfortunate that she decided to give up her life in this way. I believe she deserves much better than that. The saying that "every person has their own stories in life" truly echoes in my heart now.

God bless you Iris Chang, I hope that you can find peace and happiness from our heavenly Father now.

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