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Picks of the Week

  • Harry Dolan: Bad Things Happen

    Harry Dolan: Bad Things Happen
    BAD THINGS HAPPEN is a nifty debut, cleverly told and unfurled from the very first line: "The shovel has to meet certain requirements" on through meeting "the man who calls himself David Loogan." There are reasons for concealment, just as there are reasons the editor of a mystery magazine bearing little resemblance to EQMM or AHMM might bring him into the fold, thus catalyzing a series of murderous events. The twists come quickly and the dialogue is sharp and if it falls apart slightly at the end, no matter - I want to read much more from Dolan from now on.

  • Ian MacKenzie: City of Strangers: A Novel

    Ian MacKenzie: City of Strangers: A Novel
    MacKenzie's debut novel reminded me a lot of Paul Auster's NEW YORK TRILOGY, whether it was intended or not, in terms of his choice of words, the thrust of the narrative and the existential nature of the main character (whose first name, incidentally, is Paul) caught up in a snowballing sequence of strange and violent events in and around New York City. MacKenzie straddles the line between thriller and internal examination of a man's failings, and his ability to do so establishes him as a young writer of serious talent and future.

  • Megan Abbott: Bury Me Deep

    Megan Abbott: Bury Me Deep
    In a word: amazing. In more words: Megan Abbott, who has never delivered anything less than an excellent novel, exceeds expectations and takes a very bold and very necessary step forward both in the quality of the prose, the development of her characters and especially in portraying how obsession seeps into the very soul of people, transforming them into their worst nightmares all too easily. Just read this book. And then tell many others to do so as well.

  • Ninni Holmqvist: The Unit

    Ninni Holmqvist: The Unit
    Understandably, echoes of THE HANDMAID'S TALE are hard to ignore in this dystopic examination of a society where fertility is so high a priority that older, single, marginal women are shut away in secret locales to live out the rest of their lives in seemingly perfect harmony - at least, until the "donations" begin. But Holmqvist's marvelous book doesn't browbeat her thesis into the reader and smartly expands her ideas to look at the plight of all marginalized folk, women and men alike, and how the promise of comforts can be the most horrifying of all. Prepare to be disturbed, but prepare further to think about the ramifications.

  • Paula Froelich: Mercury in Retrograde

    Paula Froelich: Mercury in Retrograde
    This is possibly the most perfect novel for today's economically challenged times. Why? Because it has plenty of glitz and glamor and blind items, as befitting a narrative by the deputy editor of Page Six, but Froelich isn't arch or snarky or acid-tongued in the slightest. Her trio of protagonists land in all manner of embarrassing situations but they aren't played for mean-spirited laughs. The New York here is something of a fantasy-land, but not so far off the mark that it's completely unbelievable. Most of all it's clear Froelich remains sincere and optimistic about her chosen city, and has retained her sense of fun. So no need to check your brain at the door, but sometimes it just needs to chill out and relax.

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January 13, 2005

A memo to HarperCollins (UPDATED)

To the fine folks at HarperCollins,

Please don't take this as a personal criticism. After all, I have enjoyed many fine books you have published by many fine authors. Some of them I even count as friends, or at the very least, friendly acquaintances. Your publicity department is one of the best, and you employ many hardworking editors who fall in love with books and then want them to sell to as many people as possible.

But on one thing, you fall down. And I found this out late last night as I browsed one of my local Chapters bookshops.

I walked over to the "new releases" shelf, and saw a copy of Jennifer Haigh's BAKER TOWERS. Hmm, I thought, I want to read this. Looks good. What's this? It's out in trade paperback? How can this be? It topped the Booksense list! It just got a great review from La Maslin! What's a major release doing in trade pbo? I was confused.

Then I looked over and saw Michael Gruber's VALLEY OF BONES in a similar edition. I grew suspicious, perused the back cover, and saw the words that pissed me off: International Edition.

I'm sorry, but what market research determined that Canada should only get knockoff editions instead of the real hardcovers? What about the collectors? Do you want us poor people to have to go to Amazon and order the hardcovers instead of settling for these paltry (albeit handsome looking) "international editions"?

It's one thing for the UK publishers to do it. That's a question of Commonwealth vs. North America. But why get on that bandwagon and make us poor Canadians even more confused about what edition is available?

But I guess this is a trend. How sad. I shall mourn the loss of the pretty hardcovers adorning the new releases table, replaced by impostors.

Bah.

Sincerely yours,

Sarah Weinman

UPDATE, 3:30 PM EDT: If anyone's seen that strip from Peanuts where Linus shouts "rain, rain go away, come again some other day!" and it stops, well, you might get an inkling as to how I feel at the moment. Although my raving has provoked a very interesting response from Kevin Hanson at HarperCollins Canada, which appears after the jump.

I read your comments about trade paperback editions replacing hardcovers on select books in Canada with interest.

We, at HarperCollins Canada, have been introducing "a very select number" of books in original trade paperback formats as a way to make them more financially accessible to Canadians. Over the past number of years, hardcover prices have increased so dramatically, in part because of currency, that many people have decided not to purchase them for less well known authors. The original trade paperback is a way to make trying out new authors more affordable. Typically, the hardcover is also available but in more limited quantities for collectors and those, who like you, prefer the original hardcover. You can source hardcovers, for example, on-line if you choose.

As the Canadian dollar appreciates against the US dollar, as it has been doing, the spread in price between original hardcovers between the two markets will diminish naturally, and any trend towards trade paperback originals will fade as well.

Although the reasoning makes sense, I wonder why such a program wasn't implented back in 2002, when the Canadian dollar was struggling to reach 65 cents against the American one (unlike its current 80 cents or thereabouts.) Granted, the industry can't snap to instant judgment, but it does seem like a bit of a catch-up response.

Still, no doubt the fluctuating dollar has really played havoc with the industry, especially in Canada, and this is just one way to get around it and still keep potential readers buying.

And one last thing: it was never my intention to malign trade paperbacks, originals or reprints. One need only look at my essay from last year to see how I feel about the format.

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Comments

Don't know much about the hardcover vs trade pbo situation in Canada. But it does bring to mind a general Canada/US question. Its always mystified my why we don't hear more about Canadian authors in the US. We certainly get quite a bit of the UK authors but you don't really hear much about Canada.

I wish there were more outlets for this sort of thing. Here in NYC we have a program called Upper North Side (http://www.uppernorthside.com/) that publicizes all sorts of Canadian Culture (music, books, art, plays, etc). But I don't know how many people know about it.

Mary, resident Canadaphile (is that a real word?)

Hmm... interesting... didn't respond at the time, but just followed Ron's link back here to see the e-mail sequel. I love those international paperbacks! And it's exactly what that HarperCollins person says. Basically, I'm in Heathrow and looking for stuff to read on the way home to NY & there are lots of books I wouldn't pay full-price hardcover for but am willing to spring for the weird large-format PB (examples that come to mind: Sebastian Faulks, "On Green Dolphin St."; Vikram Seth, "An Unequal Music" (or whatever that book was called--it wasn't quite that, but something along those lines); and several Elizabeth George new releases. Thanks for clearing this up for me...

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