Picks of the Week

  • Diana Spechler: Who by Fire: A Novel (P.S.)

    Diana Spechler: Who by Fire: A Novel (P.S.)
    Spechler's unfliching, beautifully written debut strikes at the heart of how one catastrophic event creates a fissure so deep it breaks a small family into fragmented pieces. A little girl is kidnapped, presumed dead, and over a decade later her mother is still searching for answers, her older sister seeks solace in meaningless sex and her brother - who blames himself for the crime's commission - finds his life's solution among ultra-Orthodox Judaism. Spechler uses the inciting event to show the ways in which family members cling to and turn away from each other, do terrible things with the best intentions and show the comforts and prejudices of religiosity with a compassionate eye and voice.

  • Iain Levison: Dog Eats Dog

    Iain Levison: Dog Eats Dog
    First published in France a few years ago, Bitter Lemon press finally makes this darkly comic gem available in English. When a bank robber, bleeding profusely from his last and very botched job, lands in a sleepy New Hampshire college town, disaster is pretty much inevitable. Never is that more true than for Elias White, roped into being the robber's accomplice as a result of an ill-fated dalliance glimpsed through an open window, and for FBI agent Denise Lupo, whose ability is less dogged and more fragmented. Levison nails the academic atmosphere and its jarring juxtaposition with the criminal underworld, but most of all he's clearly having fun with his given premise.

  • Matthew Hall: The Art of Breaking Glass

    Matthew Hall: The Art of Breaking Glass
    If this debut were published in 2008 instead of 1997, I suspect it would have been greeted with the same acclaim and the same sense that this is a major talent with a great deal in store for his career. Because holy hell, this has tremendous pacing, wonderful characters and an offbeat and very unique voice. But since its original publication, the book is all but out of print and there's no new novel from Hall in sight, as he's concentrated on TV and screenwriting duties. So read this book and hope that a) some publisher decides to reissue it b) Hall follows it up someday.

  • Victor Gischler: Go-Go Girls of the Apocalypse: A Novel

    Victor Gischler: Go-Go Girls of the Apocalypse: A Novel
    After four crime novels, Gischler turns to something a little different - and a lot more unclassifiable - with this incredibly funny, violent, panoramic and pulpy apocalyptic novel. The world Mortimer Tate left behind was about to go into ruins but what he returns to nine years later is littered with machine guns, strip clubs and people looking out for their best interests (both literally and carnivorously.) With the help of an eclectic crew of sidekicks and gun-toting babes, Mortimer prepares to save the world at the lost city of Atlanta - whether he likes it or not.

  • Zoe Sharp: Third Strike: A Thriller

    Zoe Sharp: Third Strike: A Thriller
    Once again, Zoe Sharp finds a way to make the thriller genre her own by focusing on the psychological toll that violence takes upon a person. By the end of THIRD STRIKE, Charlie Fox is at a very dark place, fully cognizant of the consequences her actions have taken upon those she's been asked to guard and those she loves, and I was profoundly disturbed in a way I haven't been after reading a thriller in quite some time. This is a long, long way from mindless fluff, and if you're prepared to travel some very dark and thoughtful corners, this is the book (and series) to read.

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March 23, 2006

Michael Collins is Extreme!

Irish-born, Bellingham-dwelling author Michael Collins is driven by stuff that most of us wouldn't even dream of attempting. And by that, I don't mean novels, I mean his penchant for marathons in far-flung places. He tells the Seattle Post-Intelligencer's John Marshall about his upcoming plans:

In the space of six weeks, this prize-winning novelist is dedicated to competing in two marathon events in diabolically different climes. First off, in late February, was the Sahara Sub-Marathon in the desert country of Algeria, which Collins won against world-class competition. Then, on April 8, he is scheduled to compete in the North Pole marathon, where an expected 70 racers will be delivered by helicopters to ice floes where the marathon course often will be less than 12 feet from the frigid waters of the Arctic Ocean.

"I like the competitiveness," he says, "but also having my mind and body totally focused on winning. It provides the one true feeling I have of well-being."

It should come as no surprise that he sees parallels between writing and running. "The intensity of training for a race is very similar to the intensity in writing a novel," he says. "With a novel, I give it four to five months. With running, I couldn't run 90 miles a week for an entire year, so I make a four-month commitment to that. I have that way of compartmentalizing my life: now I'm a writer, now I'm an athlete."

His next book is going to be published in the UK as THE SECRET LIFE OF ROBERT E. PENDLETON, but in the US as the more mundane DEATH OF A WRITER -- switching from Viking (which published his last book, LOST SOULS) to Bloomsbury. And let's just put a "here we go again" stamp on his next statement:

"I got trapped in the crime genre for a couple of novels, although I never wanted to master that genre," Collins relates. "I had to fight to do the book I want to write and had to go to a new publisher, Bloomsbury, which has been much more supportive. The new novel reads better. It is less of a procedural and more of a philosophical commentary on the human condition, which is what I am really interested in."

Funny, the write-up on Amazon UK sure makes this out to be a crime novel....

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Comments

I totally see a parallel between writing and running. The hours alone, the self-discipline required, the low pay.

I was a miler in HS, ran CC in college.

Great post, Sarah.

Stacey

I ran high school cross country, and I totally see the parallel with running too. The long warmup, followed by the hitting a pace when you realize that you're almost comfortable (but you can't stop). Also the kind of satisfaction that comes from being that focused for a period of time, and the sense that your real competition is always yourself. Also the tired but puzzled elation when it's over.

Hi! Thanks for picking up this piece on my running life. I just wanted to say in my "Quote", what I'd meant to say regarding the Crime Genre, was that "I was unable to really master the genre, and not that it is not a formidable and psychologically challenging genre. If I could have written with the deft suspense quality of the masters of the genre, I'd be a lot happier, but alas, I could not invest that intangible in my so-called crime writing. So what I've tried to do is distinguish my books as not 'Crime novels' since reader expectations are often aligned with a tigher, and faster-paced book than I write. So basically, I was not slamming the genre, as much as trying to establish some sort of definition for my own writing career." In fact, most of my favourite living writers are crime writers, Jason Starr, Ian Rankin and Michael Connelly to name a few.

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