Picks of the Week

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    Diana Spechler: Who by Fire: A Novel (P.S.)
    Spechler's unfliching, beautifully written debut strikes at the heart of how one catastrophic event creates a fissure so deep it breaks a small family into fragmented pieces. A little girl is kidnapped, presumed dead, and over a decade later her mother is still searching for answers, her older sister seeks solace in meaningless sex and her brother - who blames himself for the crime's commission - finds his life's solution among ultra-Orthodox Judaism. Spechler uses the inciting event to show the ways in which family members cling to and turn away from each other, do terrible things with the best intentions and show the comforts and prejudices of religiosity with a compassionate eye and voice.

  • Iain Levison: Dog Eats Dog

    Iain Levison: Dog Eats Dog
    First published in France a few years ago, Bitter Lemon press finally makes this darkly comic gem available in English. When a bank robber, bleeding profusely from his last and very botched job, lands in a sleepy New Hampshire college town, disaster is pretty much inevitable. Never is that more true than for Elias White, roped into being the robber's accomplice as a result of an ill-fated dalliance glimpsed through an open window, and for FBI agent Denise Lupo, whose ability is less dogged and more fragmented. Levison nails the academic atmosphere and its jarring juxtaposition with the criminal underworld, but most of all he's clearly having fun with his given premise.

  • Matthew Hall: The Art of Breaking Glass

    Matthew Hall: The Art of Breaking Glass
    If this debut were published in 2008 instead of 1997, I suspect it would have been greeted with the same acclaim and the same sense that this is a major talent with a great deal in store for his career. Because holy hell, this has tremendous pacing, wonderful characters and an offbeat and very unique voice. But since its original publication, the book is all but out of print and there's no new novel from Hall in sight, as he's concentrated on TV and screenwriting duties. So read this book and hope that a) some publisher decides to reissue it b) Hall follows it up someday.

  • Victor Gischler: Go-Go Girls of the Apocalypse: A Novel

    Victor Gischler: Go-Go Girls of the Apocalypse: A Novel
    After four crime novels, Gischler turns to something a little different - and a lot more unclassifiable - with this incredibly funny, violent, panoramic and pulpy apocalyptic novel. The world Mortimer Tate left behind was about to go into ruins but what he returns to nine years later is littered with machine guns, strip clubs and people looking out for their best interests (both literally and carnivorously.) With the help of an eclectic crew of sidekicks and gun-toting babes, Mortimer prepares to save the world at the lost city of Atlanta - whether he likes it or not.

  • Zoe Sharp: Third Strike: A Thriller

    Zoe Sharp: Third Strike: A Thriller
    Once again, Zoe Sharp finds a way to make the thriller genre her own by focusing on the psychological toll that violence takes upon a person. By the end of THIRD STRIKE, Charlie Fox is at a very dark place, fully cognizant of the consequences her actions have taken upon those she's been asked to guard and those she loves, and I was profoundly disturbed in a way I haven't been after reading a thriller in quite some time. This is a long, long way from mindless fluff, and if you're prepared to travel some very dark and thoughtful corners, this is the book (and series) to read.

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May 14, 2007

Sakey Moves to Dutton

The subject header pretty much tells the tale, but here's the deal memo:

Author of The Blade Itself Marcus Sakey's four books, following Ben Sevier to Dutton, for publication beginning in 2009, by Scott Miller at Trident Media Group (world).

It's a deal for what PW reports is in the "major deal" neighborhood, which kicks in after the second of Sakey's two-book contract with St. Martin's finishes up next year. So why, when I first heard the news earlier this week, did my jaw drop? Because there's a great deal of money involved for an author still considered to be unproven, Sakey follows Ben Sevier (who originally acquired THE BLADE ITSELF and its follow-up for SMP) and I really wonder what incentive Minotaur really has to promote next year's book when an author they once had plans to break out in a big way is leaving.

And if that happens and sales on book 2 aren't to expectations,  where does that leave the four books on the new contract with Dutton?

As should be obvious from anyone reading this site for a relatively extended period of time, I'm a huge fan of THE BLADE ITSELF as well as of Sakey as both a writer and a person. But this deal troubles me because even though the money sounds great (and is almost 100% impossible for an author to turn down in this situation) it could also be a serious handicap  - not just in the long run but in the middle-to-short term run. Which then underscores what was discussed in the NYT business section yesterday about how publishing's business sense is a big mystery.

My fingers are crossed, of course, that everything works out. But I can't seem to get some particular musical strains out of my head...

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Comments

You said it Sarah. My first reaction when I saw the news last week was the jaw drop. Then I started to worry. Not all deals get announced... I'm really surprised they didn't keep this quiet.

You never know. Dan Brown had three unsuccessful novels with two prior publishers before The Da Vinci Code hit.

I'm betting Shakey will buy back the rights to the second book or the publisher will becuase its really a tough senario if they don't - as Sarah laid out.

This is the kind of deal that can ruin a career. I've had similar deals twice. Each was different from the other and each looked fabulous and both times I ended up a dead duck. Yes, the money was great, but in the end it wasn't worth it. I hope Sakey works this out. But even if he gets out of the deal with St. Martin, if his first book with Dutton doesn't pay out he'll be in trouble. I think it's too early in his career for a deal like this. But what do I know?

I think that in the worst-case scenario (SMP doesn't promote book 2), Mr. Sakey can then do his own promotional legwork (with the big Dutton bucks) and Dutton can really push the overdrive on his promotion. I don't feel that all is lost even in the worst case. If Mr Sakey does indeed have the long-term chops, then class will win out in the end.

I think that in the worst-case scenario (SMP doesn't promote book 2), Mr. Sakey can then do his own promotional legwork (with the big Dutton bucks) and Dutton can really push the overdrive on his promotion. I don't feel that all is lost even in the worst case. If Mr Sakey does indeed have the long-term chops, then class will win out in the end.

Worst case scenario would be SMP dumps Book #2, it flops miserably, and Dutton either cancels the contract or cuts the print run back drastically due to low chain orders (in which case the book has no chance of earning out). I doubt that will happen, but you never know.

I think MJ's right that the best move is to buy back Book #2. I'd hate to see a promising writer like Sakey get hamstrung so early in his career.

Marcus' ears must be burning from all the people talking about him. :)

Does it really matter? Apart from getting review copies, I've never seen much in the way of promotion from St. Martin's.

That's true of the typical Minotaur title, but SMP seemed to give a much more significant push for Sakey's first book.

Minotaur publishes like a zillion books a year, with small press runs and tiny advances for its authors. But there are a handful of exceptions a year. John Hart was last year's major exception, Marcus Sakey this year's.

Thanks for the clarification.

I don't think anybody has to push Sakey's second book. Readers will pull it right off the shelves.

A further note on all of this, not that it matters to anyone else...

But I always find it interesting to see what gets pushed here, as it's different than the US market. In two provinces, in the third and fourth largest cities in Canada, I can't walk into a chain bookstore and buy Marcus's first book. I haven't found it in a single outlet once. Whatever promotion was done for TBI completely overlooked the main market in Canada.

So no matter what happens in the US for book 2, Dutton will have ground to cover for their titles on this side of the border.

By contrast, multiple copies of books from debuting authors Gregg Olsen, Philip Hawley Jr, Sean Chercover have been available in Chapters/Indigo. I'm not even going to begin speculating on why that happens. But the push an author can give their work through promotion will only take it so far. If the publisher doesn't produce a good cover, doesn't send out enough review copies early enough, doesn't push for the book to be stocked, it's an uphill battle. And in this case it may be tougher. Marcus enjoyed a lot of support and publisher promotion for book #1. Do booksellers care about the story behind the book, or will they only take note of the fact that the second book isn't being pushed?

Actually, I wish someone could answer that question. I know what bookstore owners here tell me...

Aside from that I never did say congrats Marcus. I hope it all works out for you.

A further note on all of this, not that it matters to anyone else...

But I always find it interesting to see what gets pushed here, as it's different than the US market. In two provinces, in the third and fourth largest cities in Canada, I can't walk into a chain bookstore and buy Marcus's first book. I haven't found it in a single outlet once. Whatever promotion was done for TBI completely overlooked the main market in Canada.

So no matter what happens in the US for book 2, Dutton will have ground to cover for their titles on this side of the border.

By contrast, multiple copies of books from debuting authors Gregg Olsen, Philip Hawley Jr, Sean Chercover have been available in Chapters/Indigo. I'm not even going to begin speculating on why that happens. But the push an author can give their work through promotion will only take it so far. If the publisher doesn't produce a good cover, doesn't send out enough review copies early enough, doesn't push for the book to be stocked, it's an uphill battle. And in this case it may be tougher. Marcus enjoyed a lot of support and publisher promotion for book #1. Do booksellers care about the story behind the book, or will they only take note of the fact that the second book isn't being pushed?

Actually, I wish someone could answer that question. I know what bookstore owners here tell me...

Aside from that I never did say congrats Marcus. I hope it all works out for you.

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