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Picks of the Week

  • Harry Dolan: Bad Things Happen

    Harry Dolan: Bad Things Happen
    BAD THINGS HAPPEN is a nifty debut, cleverly told and unfurled from the very first line: "The shovel has to meet certain requirements" on through meeting "the man who calls himself David Loogan." There are reasons for concealment, just as there are reasons the editor of a mystery magazine bearing little resemblance to EQMM or AHMM might bring him into the fold, thus catalyzing a series of murderous events. The twists come quickly and the dialogue is sharp and if it falls apart slightly at the end, no matter - I want to read much more from Dolan from now on.

  • Ian MacKenzie: City of Strangers: A Novel

    Ian MacKenzie: City of Strangers: A Novel
    MacKenzie's debut novel reminded me a lot of Paul Auster's NEW YORK TRILOGY, whether it was intended or not, in terms of his choice of words, the thrust of the narrative and the existential nature of the main character (whose first name, incidentally, is Paul) caught up in a snowballing sequence of strange and violent events in and around New York City. MacKenzie straddles the line between thriller and internal examination of a man's failings, and his ability to do so establishes him as a young writer of serious talent and future.

  • Megan Abbott: Bury Me Deep

    Megan Abbott: Bury Me Deep
    In a word: amazing. In more words: Megan Abbott, who has never delivered anything less than an excellent novel, exceeds expectations and takes a very bold and very necessary step forward both in the quality of the prose, the development of her characters and especially in portraying how obsession seeps into the very soul of people, transforming them into their worst nightmares all too easily. Just read this book. And then tell many others to do so as well.

  • Ninni Holmqvist: The Unit

    Ninni Holmqvist: The Unit
    Understandably, echoes of THE HANDMAID'S TALE are hard to ignore in this dystopic examination of a society where fertility is so high a priority that older, single, marginal women are shut away in secret locales to live out the rest of their lives in seemingly perfect harmony - at least, until the "donations" begin. But Holmqvist's marvelous book doesn't browbeat her thesis into the reader and smartly expands her ideas to look at the plight of all marginalized folk, women and men alike, and how the promise of comforts can be the most horrifying of all. Prepare to be disturbed, but prepare further to think about the ramifications.

  • Paula Froelich: Mercury in Retrograde

    Paula Froelich: Mercury in Retrograde
    This is possibly the most perfect novel for today's economically challenged times. Why? Because it has plenty of glitz and glamor and blind items, as befitting a narrative by the deputy editor of Page Six, but Froelich isn't arch or snarky or acid-tongued in the slightest. Her trio of protagonists land in all manner of embarrassing situations but they aren't played for mean-spirited laughs. The New York here is something of a fantasy-land, but not so far off the mark that it's completely unbelievable. Most of all it's clear Froelich remains sincere and optimistic about her chosen city, and has retained her sense of fun. So no need to check your brain at the door, but sometimes it just needs to chill out and relax.

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July 30, 2007

A New Virtual Reality Game for Literary Critics

Along with Jerome Weeks' essay on Gail Pool's new book that I linked to yesterday, the Boston Globe ran a piece by Sven Birkerts on the beyond-exhausted print vs. blog debate. There are good points - especially when Birkerts brings up Cynthia Ozick's Harper's essay (which, had it been posted in full online, would have had far greater play in the overall discussion) but in setting up a dichotomy that really doesn't exist - as a blogger and print reviewer, am I my own worst enemy? - Birkerts, though honest in his thinking, misses the larger point.

And so it occurred to me, with so much real and virtual ink spilled, that no one has made the necessary leap to thinking about a true-blue "print is dead" (or at least, resting in comatose, dead parrot fashion) scenario. So here is my challenge to my fellow NBCC members, other reviewers and critics, authors, whomever: tomorrow morning, we wake up and newspapers are dead. No more outlets for book reviews of a certain stripe.* What are you going to do? Will you blog, for pleasure or for money? Will you spend too much time hanging out at literary social networking sites? Will you up your critical game to crack more esteemed publications such as the New York Review of Books, Bookforum or the TLS? Will you even review books anymore? Will you even write anymore?

Instead of bitching and moaning about a worst case scenario, envision it. Embrace it. Challenge it. Accept it. Because then, and only then, can we really understand both what is potentially lost and also potentially gained.

My answer to the above question is easy: I'd adapt, just like I have for the nearly four years since I opened up my blog shingle and changed direction from a would-be forensic scientist into a freelance writer.

*Of course, if newspapers ceased to exist, there would be greater issues than the state of book reviewing, but it's my VR game and I'm sticking to it.

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Comments

I think you're totally right, Sarah. You'd adapt.

Adaptation is a neccessary reaction to the exigencies of a situation that leaves one no other option.

If a road is completely blocked (or dead), we find another way to get along.

Stacey

I don't find blogging or web-only reviewing to be especially satisfying (and it's certainly not very remunerative) so under the given scenario, I'd probably quit. At the least, I'd scale back my activities.

I'd definitely continue to write and blog, but then again, most of my assignments aren't from newspapers. While most people are "electronic only" when it comes to getting their news, reviews, etc. I do believe plenty still want to hold something tangible and turn a page. I'd probably start my own free print publication with local distribution.

Well, most of the reviewing I do is for publications that also have a web presence - so even if their print versions ceased, wouldn't their websites continue to exist, their editors assign, etc.? I review for money as well as for exposure, so if both ceased, I'd probably just focus on my book writing (and other paying forms of journalism). But I hope that doesn't happen anytime soon.

Well, I'm not a reviewer. As an author/reader, I go to print first, internet second. If newspapers really disappear (that includes the NYT), I would naturally go to the most respected internet reviewers -- after some research.
I'm still trying to work out why there is this disconnect between rave reviews and resultant sales. I think people don't care. They know what they like.

I like having my reviews appear in a newspaper, and I enjoy being paid for it. I also like having an editor who actually edits me (she does a good job of it). Money is nice, but what I really enjoy is the free books.

If I ceased to get free books, I would be very sad. And if I ceased to be paid for my reviews, I would probably stop writing them. Call me selfish, but my writing time is precious to me and reviewing just doesn't pay that well. (Though if my beloved editor or someone I really liked asked nicely, I would take the time, no matter what the medium was.)

I hesitate to call myself a critic--I'm not formally trained. I've just done it for a decade for folks who think it's worth having me write reviews. I fear I'm too timid to go knock on the doors of the big guys like the NYRB or TLS. They'd probably laugh!

Thanks for the information about Gail's book. She is a friend of my mother's but I think we have lost touch recently.

I'm with Ingrid.

One of the points that was touched on in the article was the difference between reviewing and criticism. I think there's definitely a difference. Criticism is a much more academic endeavor in my opinion. Most of the stuff on the web (and in print) is reviewing. Are there sites that folks would call criticism as opposed to reviewing?

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