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Picks of the Week

  • Harry Dolan: Bad Things Happen

    Harry Dolan: Bad Things Happen
    BAD THINGS HAPPEN is a nifty debut, cleverly told and unfurled from the very first line: "The shovel has to meet certain requirements" on through meeting "the man who calls himself David Loogan." There are reasons for concealment, just as there are reasons the editor of a mystery magazine bearing little resemblance to EQMM or AHMM might bring him into the fold, thus catalyzing a series of murderous events. The twists come quickly and the dialogue is sharp and if it falls apart slightly at the end, no matter - I want to read much more from Dolan from now on.

  • Ian MacKenzie: City of Strangers: A Novel

    Ian MacKenzie: City of Strangers: A Novel
    MacKenzie's debut novel reminded me a lot of Paul Auster's NEW YORK TRILOGY, whether it was intended or not, in terms of his choice of words, the thrust of the narrative and the existential nature of the main character (whose first name, incidentally, is Paul) caught up in a snowballing sequence of strange and violent events in and around New York City. MacKenzie straddles the line between thriller and internal examination of a man's failings, and his ability to do so establishes him as a young writer of serious talent and future.

  • Megan Abbott: Bury Me Deep

    Megan Abbott: Bury Me Deep
    In a word: amazing. In more words: Megan Abbott, who has never delivered anything less than an excellent novel, exceeds expectations and takes a very bold and very necessary step forward both in the quality of the prose, the development of her characters and especially in portraying how obsession seeps into the very soul of people, transforming them into their worst nightmares all too easily. Just read this book. And then tell many others to do so as well.

  • Ninni Holmqvist: The Unit

    Ninni Holmqvist: The Unit
    Understandably, echoes of THE HANDMAID'S TALE are hard to ignore in this dystopic examination of a society where fertility is so high a priority that older, single, marginal women are shut away in secret locales to live out the rest of their lives in seemingly perfect harmony - at least, until the "donations" begin. But Holmqvist's marvelous book doesn't browbeat her thesis into the reader and smartly expands her ideas to look at the plight of all marginalized folk, women and men alike, and how the promise of comforts can be the most horrifying of all. Prepare to be disturbed, but prepare further to think about the ramifications.

  • Paula Froelich: Mercury in Retrograde

    Paula Froelich: Mercury in Retrograde
    This is possibly the most perfect novel for today's economically challenged times. Why? Because it has plenty of glitz and glamor and blind items, as befitting a narrative by the deputy editor of Page Six, but Froelich isn't arch or snarky or acid-tongued in the slightest. Her trio of protagonists land in all manner of embarrassing situations but they aren't played for mean-spirited laughs. The New York here is something of a fantasy-land, but not so far off the mark that it's completely unbelievable. Most of all it's clear Froelich remains sincere and optimistic about her chosen city, and has retained her sense of fun. So no need to check your brain at the door, but sometimes it just needs to chill out and relax.

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November 13, 2007

RIP Ira Levin

The author of A KISS BEFORE DYING, ROSEMARY'S BABY, THE BOYS FROM BRAZIL and several other bestselling novels is dead at the age of 78, according to his agent Phyllis Westberg. The cause of death was a heart attack and he is survived by three sons and three grandsons. Wow. I did not see this coming at all. What a loss.

And somehow, Levin's thoughts on his own work, taken from a 1989 New York Times profile on the eve of the opening of his final play CANTORIAL, seem appropriate:

''I don't mind the thriller label at all,'' he says. ''They're the kind of books I enjoy reading. I know I get pretty bored with books and plays that are about a writer's coming of age, or the breakup of a marriage. I mean, we've all been through that. We don't have to go to the theater or pick up a book to have that experience.

''When I was young and starting out,'' he says, ''I thought, 'Well, someday, I'm going to write the great American novel - or several of them.' But as I got older I was perfectly content with suspense, with thrillers. I think they very well may last longer than the more serious types of fiction.

''I think most of the classical novelists who are still popular were the popular writers of their day,'' he adds. ''Certainly Dickens. And I don't know what else was published the year 'Dracula' came out, but what other book from that year has lasted as long?''

UPDATE: More obits courtesy Playbill, Broadway World, the NYT, the New York Sun and the LA Times. The NYT also published Levin's last piece of writing, a letter in support of a high school student from Wilton, Connecticut - the basis for the setting of THE STEPFORD WIVES -  whose play on the Iraq War was shut down. "I'm not surprised, therefore, to learn that Wilton High School has a Stepford principal, one who would keep his halls and classrooms squeaky-clean of any ''inflammatory'' material that might hurt some Wilton families," Levin remarked. "It's heartening, though, to know that not all the Wilton High students have been Stepfordized."

Also, though it's behind a paywall, Anthony Boucher reviewed Levin's A KISS BEFORE DYING for the October 25, 1953 "Criminals at Large" column and his thoughts are clear from the available opening paragraph: "The hardest thing for a reviewer to write, believably and persuasively, is an all-out, no - reservations rave; and that's the problem that faces me this week as the result, of all things, of the first novel of a 23-year-old writer."

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Comments

And THE STEPFORD WIVES, which is great too. Very sad.

A Kiss Before Dying really was fantastic, wasn't it? And he wrote it when he was 23? Gawd. I think Times subscribers can click through to read the whole review for $0.

Sorry to hear. I saw "Deathtrap" with the original Broadway cast, and then again later with John Wood in the lead role - and with Marian Seldes in both productions!

Apropos of the Wilton, Ct letter, I was lucky enough to see the Wilton students perform an excerpt from Voices in Conflict last week at the National Coalition Against Censorship's annual dinner. The students (ages 14-18) were remarkable and the opposition they faced and still face was formidable. Although their school production was shut down, they were able to perform the play off-Broadway some months ago (according to Christopher Durang, who was one of the play's champions, and who spoke at the dinner.)

Don't forget This Perfect Day, which was a liberal version of 1984.

This is dreadful news

I loved Ira's work from the moment I picked up A KISS BEFORE DYING....and read everything since

Best

Ali

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