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Picks of the Week

  • Harry Dolan: Bad Things Happen

    Harry Dolan: Bad Things Happen
    BAD THINGS HAPPEN is a nifty debut, cleverly told and unfurled from the very first line: "The shovel has to meet certain requirements" on through meeting "the man who calls himself David Loogan." There are reasons for concealment, just as there are reasons the editor of a mystery magazine bearing little resemblance to EQMM or AHMM might bring him into the fold, thus catalyzing a series of murderous events. The twists come quickly and the dialogue is sharp and if it falls apart slightly at the end, no matter - I want to read much more from Dolan from now on.

  • Ian MacKenzie: City of Strangers: A Novel

    Ian MacKenzie: City of Strangers: A Novel
    MacKenzie's debut novel reminded me a lot of Paul Auster's NEW YORK TRILOGY, whether it was intended or not, in terms of his choice of words, the thrust of the narrative and the existential nature of the main character (whose first name, incidentally, is Paul) caught up in a snowballing sequence of strange and violent events in and around New York City. MacKenzie straddles the line between thriller and internal examination of a man's failings, and his ability to do so establishes him as a young writer of serious talent and future.

  • Megan Abbott: Bury Me Deep

    Megan Abbott: Bury Me Deep
    In a word: amazing. In more words: Megan Abbott, who has never delivered anything less than an excellent novel, exceeds expectations and takes a very bold and very necessary step forward both in the quality of the prose, the development of her characters and especially in portraying how obsession seeps into the very soul of people, transforming them into their worst nightmares all too easily. Just read this book. And then tell many others to do so as well.

  • Ninni Holmqvist: The Unit

    Ninni Holmqvist: The Unit
    Understandably, echoes of THE HANDMAID'S TALE are hard to ignore in this dystopic examination of a society where fertility is so high a priority that older, single, marginal women are shut away in secret locales to live out the rest of their lives in seemingly perfect harmony - at least, until the "donations" begin. But Holmqvist's marvelous book doesn't browbeat her thesis into the reader and smartly expands her ideas to look at the plight of all marginalized folk, women and men alike, and how the promise of comforts can be the most horrifying of all. Prepare to be disturbed, but prepare further to think about the ramifications.

  • Paula Froelich: Mercury in Retrograde

    Paula Froelich: Mercury in Retrograde
    This is possibly the most perfect novel for today's economically challenged times. Why? Because it has plenty of glitz and glamor and blind items, as befitting a narrative by the deputy editor of Page Six, but Froelich isn't arch or snarky or acid-tongued in the slightest. Her trio of protagonists land in all manner of embarrassing situations but they aren't played for mean-spirited laughs. The New York here is something of a fantasy-land, but not so far off the mark that it's completely unbelievable. Most of all it's clear Froelich remains sincere and optimistic about her chosen city, and has retained her sense of fun. So no need to check your brain at the door, but sometimes it just needs to chill out and relax.

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May 19, 2008

"...and the tree was happy."

THE GIVING TREE is not one of my favorite works by Shel Silverstein. In part because, as the man himself put it, "It's just a relationship between two people - one gives and the other takes," but also because some of the ways in which the book has been interpreted and co-opted makes me squirm. Give me LAFCADIO. Give me the songs, the cartoons, the crime stories. Give me the album that will likely never see the light of day. But THE GIVING TREE? Someone else can take it.

But then I watched the 1973 animated short film of the book, which Shel narrated and scored, and suddenly my eyes were fresh and my prejudices fell away. Maybe it's how Charlie O. Hayward brought the static pictures to moving life, showing how the apples fall, the branches are cut and the boy who takes morphs into the old man who just wants a place to sit down and rest. Maybe it's Don Sykes's skills editing the scenes together into a film just under ten minutes. Maybe it's the imprimatur of Bosustow Productions, founded by ex-Disney and UPA animator Stephen Bosutsow and later run by his sons Ted and Nick (the latter who co-produced the film with Shel.) Or maybe it's Shel's narrative style, his signature yips and yowls displaced by something more subdued, more full of pathos and even regret. Whatever the reason, the end result is a real stunner. I've wanted to see it for years and now, thanks to the glories of YouTube (at least for the time being), we all can.

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Comments

Isn't it curious that what I always thought was the best line in the story -- "...but not really" -- was left out of this? Seems odd, since it's the one time the tree shows a little bark, so to speak.

Watching that brought back a lot of memories. We used to watch this almost every year in Sunday school class and I've always loved it.

Thank you for sharing Shel's video. What a lovely respite from the day! I remember when Shel died. I was in San Francisco working as a radio news anchor at KOIT-FM, and I read his poem "Hug 'O War" from Where the Sidewalk Ends, on-air, in his memory. Keeping his messages alive show they are timeless, and yet needed now more than ever.

Thank you for sharing Shel's video. What a lovely respite from the day! I remember when Shel died. I was in San Francisco working as a radio news anchor at KOIT-FM, and I read his poem "Hug 'O War" from Where the Sidewalk Ends, on-air, in his memory. Keeping his messages alive show they are timeless, and yet needed now more than ever.

I agree. Give me crime stories. The video was very thought provoking and I appreciate The Giving Tree in a different way now. But, I'm still all for mystery/comedy/action. :)

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