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Picks of the Week

  • Harry Dolan: Bad Things Happen

    Harry Dolan: Bad Things Happen
    BAD THINGS HAPPEN is a nifty debut, cleverly told and unfurled from the very first line: "The shovel has to meet certain requirements" on through meeting "the man who calls himself David Loogan." There are reasons for concealment, just as there are reasons the editor of a mystery magazine bearing little resemblance to EQMM or AHMM might bring him into the fold, thus catalyzing a series of murderous events. The twists come quickly and the dialogue is sharp and if it falls apart slightly at the end, no matter - I want to read much more from Dolan from now on.

  • Ian MacKenzie: City of Strangers: A Novel

    Ian MacKenzie: City of Strangers: A Novel
    MacKenzie's debut novel reminded me a lot of Paul Auster's NEW YORK TRILOGY, whether it was intended or not, in terms of his choice of words, the thrust of the narrative and the existential nature of the main character (whose first name, incidentally, is Paul) caught up in a snowballing sequence of strange and violent events in and around New York City. MacKenzie straddles the line between thriller and internal examination of a man's failings, and his ability to do so establishes him as a young writer of serious talent and future.

  • Megan Abbott: Bury Me Deep

    Megan Abbott: Bury Me Deep
    In a word: amazing. In more words: Megan Abbott, who has never delivered anything less than an excellent novel, exceeds expectations and takes a very bold and very necessary step forward both in the quality of the prose, the development of her characters and especially in portraying how obsession seeps into the very soul of people, transforming them into their worst nightmares all too easily. Just read this book. And then tell many others to do so as well.

  • Ninni Holmqvist: The Unit

    Ninni Holmqvist: The Unit
    Understandably, echoes of THE HANDMAID'S TALE are hard to ignore in this dystopic examination of a society where fertility is so high a priority that older, single, marginal women are shut away in secret locales to live out the rest of their lives in seemingly perfect harmony - at least, until the "donations" begin. But Holmqvist's marvelous book doesn't browbeat her thesis into the reader and smartly expands her ideas to look at the plight of all marginalized folk, women and men alike, and how the promise of comforts can be the most horrifying of all. Prepare to be disturbed, but prepare further to think about the ramifications.

  • Paula Froelich: Mercury in Retrograde

    Paula Froelich: Mercury in Retrograde
    This is possibly the most perfect novel for today's economically challenged times. Why? Because it has plenty of glitz and glamor and blind items, as befitting a narrative by the deputy editor of Page Six, but Froelich isn't arch or snarky or acid-tongued in the slightest. Her trio of protagonists land in all manner of embarrassing situations but they aren't played for mean-spirited laughs. The New York here is something of a fantasy-land, but not so far off the mark that it's completely unbelievable. Most of all it's clear Froelich remains sincere and optimistic about her chosen city, and has retained her sense of fun. So no need to check your brain at the door, but sometimes it just needs to chill out and relax.

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June 27, 2008

Friday Forgotten Books: THE GOLDEN ROAD by L.M. Montgomery

What with this year being the 100th anniversary of ANNE OF GREEN GABLES, L.M. Montgomery has been on the minds of many - including me - throughout the year. But those moved to reread the ANNE novels or even to check out Montgomery's other novels featuring winning heroines like Emily, Pat and Jane might miss out on THE GOLDEN ROAD, first published in 1913.

For one thing, it's a sequel to the 1911 novel THE STORY GIRL, which introduced the gaggle of children living in the small PEI town of Carlisle whose lives change when young Sara Stanley arrives, her mother dead and her father something of an absent-minded traveler. For another, both books' stories have been subsumed by the ROAD TO AVONLEA TV series that was popular in the late 80s and early 90s, and originally made Sarah Polley a star (though asking her about it now might elicit some sighs and glares. She's definitely moved on.)

But THE GOLDEN ROAD lives on for me for two reasons: one, the romantic and tender story of shy Jasper Dale's unrequited love for an idealized woman that mysteriously and magically comes through; and two, the hijinks the kids are up to in creating their own amateur press association, dubbed OUR MAGAZINE. Through "articles" and asides, we are privy to the tiny arguments, the lovingly petty rivalries and even the little crushes between group members. We also become a part of the fabric of loyalty, true friendship and bittersweet endings, especially as not all will leave the "Golden Road" of childhood to spread their wings as adults.

In other words, THE GOLDEN ROAD is a paean to the young writer, honing his or her voice alone or in collaboration, and it seems a way for Montgomery to turn the pages back in her own life to when she was a dreamy child, discovering the joy of writing and entertaining the possibility of making a living and perhaps, something more.

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Comments

One of my favorite books as a child. Thanks for remembering it. For some reason, my blog isn't coming up today. Hope Graham can fix it. Thanks.

I have not read this book, but your wonderful description makes me want to run out and get a copy, I love the nostalgic world you describe...a sense of innocence seems lost in fiction nowadays.

Worth mentioning that on July 8 St Martin's Press publishes "Looking For Anne of Green Gables," a biography of Montgomery by Irene Gammel.

Not my favorite LMM by any means but I love that you mentioned it anyway. I am just waiting until my nieces are a little older before I pilgrimage with them to Prince Edward Island. Interestingly, the television series of The Golden Road (called The Road to Avonlea) featured the very talented Sarah Polley, who has starred in film adaptions of several mysteries, so that brings us back on topic.

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