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Picks of the Week

  • Harry Dolan: Bad Things Happen

    Harry Dolan: Bad Things Happen
    BAD THINGS HAPPEN is a nifty debut, cleverly told and unfurled from the very first line: "The shovel has to meet certain requirements" on through meeting "the man who calls himself David Loogan." There are reasons for concealment, just as there are reasons the editor of a mystery magazine bearing little resemblance to EQMM or AHMM might bring him into the fold, thus catalyzing a series of murderous events. The twists come quickly and the dialogue is sharp and if it falls apart slightly at the end, no matter - I want to read much more from Dolan from now on.

  • Ian MacKenzie: City of Strangers: A Novel

    Ian MacKenzie: City of Strangers: A Novel
    MacKenzie's debut novel reminded me a lot of Paul Auster's NEW YORK TRILOGY, whether it was intended or not, in terms of his choice of words, the thrust of the narrative and the existential nature of the main character (whose first name, incidentally, is Paul) caught up in a snowballing sequence of strange and violent events in and around New York City. MacKenzie straddles the line between thriller and internal examination of a man's failings, and his ability to do so establishes him as a young writer of serious talent and future.

  • Megan Abbott: Bury Me Deep

    Megan Abbott: Bury Me Deep
    In a word: amazing. In more words: Megan Abbott, who has never delivered anything less than an excellent novel, exceeds expectations and takes a very bold and very necessary step forward both in the quality of the prose, the development of her characters and especially in portraying how obsession seeps into the very soul of people, transforming them into their worst nightmares all too easily. Just read this book. And then tell many others to do so as well.

  • Ninni Holmqvist: The Unit

    Ninni Holmqvist: The Unit
    Understandably, echoes of THE HANDMAID'S TALE are hard to ignore in this dystopic examination of a society where fertility is so high a priority that older, single, marginal women are shut away in secret locales to live out the rest of their lives in seemingly perfect harmony - at least, until the "donations" begin. But Holmqvist's marvelous book doesn't browbeat her thesis into the reader and smartly expands her ideas to look at the plight of all marginalized folk, women and men alike, and how the promise of comforts can be the most horrifying of all. Prepare to be disturbed, but prepare further to think about the ramifications.

  • Paula Froelich: Mercury in Retrograde

    Paula Froelich: Mercury in Retrograde
    This is possibly the most perfect novel for today's economically challenged times. Why? Because it has plenty of glitz and glamor and blind items, as befitting a narrative by the deputy editor of Page Six, but Froelich isn't arch or snarky or acid-tongued in the slightest. Her trio of protagonists land in all manner of embarrassing situations but they aren't played for mean-spirited laughs. The New York here is something of a fantasy-land, but not so far off the mark that it's completely unbelievable. Most of all it's clear Froelich remains sincere and optimistic about her chosen city, and has retained her sense of fun. So no need to check your brain at the door, but sometimes it just needs to chill out and relax.

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August 27, 2008

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Comments

Oline Cogdill is warming up the old complaint that women don't get enough awards. In this case, I felt obliged to speak up, but her site would not let me post. I'm a past Shamus winner and served as judge on the 2008 committee she complained about. At no time was there any bias against female authors. Two of three judges in my category were women. We just didn't have submissions from women that were strong enough to be in serious contention. It can happen. Let's hope that we never descend to political correctness in the judging of awards.

I don't say this to start an argument but do very many women write private eye novels? I assume that is what this award is about since it's called the Shamus. One of my favorite writers is SJ Rozan and she used to write about a private eye but in recent years she has not. I know Sue Grafteon is still around but I think most of these books are written by men. If there were an award for romance novels I don't think very many men would win it!

So why is Salman Rushdie a douchebag?

Oh, for god's sake...are we going to have to have the same discussion every time an award doesn't have a female nominee? Given the past history of the Shamus awards (the year I was nominated, there were two women in my category, both good friends and damn fine writers, and one of them won), I don't see how this issue can even be raised in regards to the PWA.

And I.J,. you did get through eventually.

Dusty - I wonder if we're getting to the "have you stopped beating your wife" stage of this discussion, where any response has the emotional equivalence to zugzwang.

Related to that, I was reading the most recent SinC newsletter and there was a short progress report on the Review Monitoring Project, which looks for perceived gender disparities by those who review crime fiction. And in light of cutbacks and changes to the review landscape, is this even the right question to ask right now?

Regarding the SinC project... What were their conclusions?

nope--Salman remains a douche....

I just did a spit take all over my computer screen with the douchebag thing. Thanks for the laugh.

Oh my God, zugzwang is the coolest word ever. I have never heard it before and had to look it up. Now I intend to use it at least 3 times a day.

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