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Picks of the Week

  • Harry Dolan: Bad Things Happen

    Harry Dolan: Bad Things Happen
    BAD THINGS HAPPEN is a nifty debut, cleverly told and unfurled from the very first line: "The shovel has to meet certain requirements" on through meeting "the man who calls himself David Loogan." There are reasons for concealment, just as there are reasons the editor of a mystery magazine bearing little resemblance to EQMM or AHMM might bring him into the fold, thus catalyzing a series of murderous events. The twists come quickly and the dialogue is sharp and if it falls apart slightly at the end, no matter - I want to read much more from Dolan from now on.

  • Ian MacKenzie: City of Strangers: A Novel

    Ian MacKenzie: City of Strangers: A Novel
    MacKenzie's debut novel reminded me a lot of Paul Auster's NEW YORK TRILOGY, whether it was intended or not, in terms of his choice of words, the thrust of the narrative and the existential nature of the main character (whose first name, incidentally, is Paul) caught up in a snowballing sequence of strange and violent events in and around New York City. MacKenzie straddles the line between thriller and internal examination of a man's failings, and his ability to do so establishes him as a young writer of serious talent and future.

  • Megan Abbott: Bury Me Deep

    Megan Abbott: Bury Me Deep
    In a word: amazing. In more words: Megan Abbott, who has never delivered anything less than an excellent novel, exceeds expectations and takes a very bold and very necessary step forward both in the quality of the prose, the development of her characters and especially in portraying how obsession seeps into the very soul of people, transforming them into their worst nightmares all too easily. Just read this book. And then tell many others to do so as well.

  • Ninni Holmqvist: The Unit

    Ninni Holmqvist: The Unit
    Understandably, echoes of THE HANDMAID'S TALE are hard to ignore in this dystopic examination of a society where fertility is so high a priority that older, single, marginal women are shut away in secret locales to live out the rest of their lives in seemingly perfect harmony - at least, until the "donations" begin. But Holmqvist's marvelous book doesn't browbeat her thesis into the reader and smartly expands her ideas to look at the plight of all marginalized folk, women and men alike, and how the promise of comforts can be the most horrifying of all. Prepare to be disturbed, but prepare further to think about the ramifications.

  • Paula Froelich: Mercury in Retrograde

    Paula Froelich: Mercury in Retrograde
    This is possibly the most perfect novel for today's economically challenged times. Why? Because it has plenty of glitz and glamor and blind items, as befitting a narrative by the deputy editor of Page Six, but Froelich isn't arch or snarky or acid-tongued in the slightest. Her trio of protagonists land in all manner of embarrassing situations but they aren't played for mean-spirited laughs. The New York here is something of a fantasy-land, but not so far off the mark that it's completely unbelievable. Most of all it's clear Froelich remains sincere and optimistic about her chosen city, and has retained her sense of fun. So no need to check your brain at the door, but sometimes it just needs to chill out and relax.

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November 25, 2008

On the Houghton Mifflin Harcourt Acquisition Freeze

It's the news heard 'round the publishing world (so of course, it happened while I was traveling.) There's lots of panic and teeth-gnashing, but Colleen Lindsay also advises some necessary caution on the whole Chicken Little atmosphere, since this sort of thing has been happening all the time, just without the fanfare:

Look, when two large publishers like Harcourt and Houghton Mifflin merge, it only makes sense that they'd put a temporary hold on further acquisitions until they've had a chance to assess all of the properties they already own. After all, they've just doubled their editorial inventory. One thing a newly-merged publisher is going to try very hard not to do is to cancel contracts; canceling contracts leads to a lack of confidence in the publishing company and that's never a good thing.

So if canceling a lot of contracts isn't an option, then what?

A smart solution might be to just slow down or stop buying for a while. Take a fiscal breather, as it were. Because the truth is that - right now - there's probably no room for new manuscripts in Houghton Mifflin Harcourt's inventory.

And if the rumor's true that this moratorium will be lifted after the first of the year, perhaps panicking is overrated.

Except that let's be honest: if there was an acquisition freeze on at, say, Wiley or Rodale, there wouldn't be nearly as much chatter (consider that Rodale's layoffs hardly registered on the book front, more as a footnote to the ongoing magazine die-off.) But Houghton Mifflin and Harcourt merging meant squashing together two houses of literary merit with authors whose names are recognized by common people and literati alike. They already went through some brutal rounds of layoffs and presented a cheery face just last month, both publicly and in private conversation. So the freeze sends a bad symbolic signal, even if it probably only means taking stock of what's already in play for the next year.

So no, we're not in panic mode, not yet. But as long as Riverdeep, HMH's parent company, continues to take a bath and the economy stays moribund (or worsens in the first quarter of '09), the gloom feels rather warranted, even if it's only a metaphorical sign of what may well come in other places.

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Comments

Sarah,

Speak for yourself. A am in full panic mode.

xox

Scott

I meant to type that "I" was in full panic mode--a statement evidenced by my inability to copyedit myself before posting.

SP

I'm with Scott. This is tip-of-the-iceberg stuff. Maybe all the big publishing houses will implode and we'll see a whole lot of small indie houses. Or else Amazon will buy up everything and publish three novels a year. 2009 for Year Zero, anyone?

Bring on the small indie houses, I say.

I think it'll be tougher for small indie presses who publish exclusively in print. There might be some interesting possibilities with e-books.

I agree that it'll be tough for indie presses -- at least as much so as for the big guys. But anyone who looks to e-books as the (or even a) source of succor is fooling himself. The possibilities with e-books are, indeed, interesting, but for the foreseeable future, they're not remunerative. Especially for fiction.

There's always TV.

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