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Picks of the Week

  • Alafair Burke: 212: A Novel

    Alafair Burke: 212: A Novel
    If you live in New York, you'll recognize the cases 212 is based on, but the headline rip doesn't really matter: what's more important is that this is a story that is rooted in the now, where the investigation depends on web 2.0 being used for both good and ill, and where the book's heroine, Ellie Hatcher, acts in a smart, capable manner and, even when not in control of a situation, knows what she must do to re-assert it. When I say 212 is a mystery of superior professionalism, I mean that as the highest possible compliment. Burke's territory is her own, and I'm eager to see how she carves out an even larger corner that belongs to no one else. Powell’s | Borders | Amazon | B & N | Indiebound

  • Kate White: Hush: A Novel

    Kate White: Hush: A Novel
    White's novels, for me, are the perfect vacation read, even when I am up to my ears in deadlines. HUSH, however, is a departure from the first person Bailey Weggins mysteries (which owe their debts to fair-play mysteries), instead a third-person femjep spiraling out from one woman's impulsive sexual decision. What follows is a broken-glass sequence of murder, workplace tension, and the growing sense that someone is going to kill Lake Warren only after she's been subject to all kinds of psychological torture. I know I felt genuine palpitations while reading HUSH; something tells me many others will, too. Indiebound | Powell’s | B & N | Borders | Amazon

  • Lisa Lutz: The Spellmans Strike Again: A Novel

    Lisa Lutz: The Spellmans Strike Again: A Novel
    What do you mean this is the end of the Spellman Saga? Don't we get to find out what happens to Rae in college, or whether Isabel will stay the maturity course, or if Henry can stay sane amidst the craziness of a clan perfectly happy to spy on each other and others and withhold information from each other (and themselves!) all in the purpose of greater good? Maybe we will. Maybe we won't. But this fourth and final installment perfectly encapsulates the zany sweetness and the larger ramifications of family that loves each other too much, in their own way - even if that way of demonstrating involves regular surveillance. Amazon | Borders | Powell’s | Indiebound | B & N

  • Sean Cregan: The Levels

    Sean Cregan: The Levels
    It's a new name, a new style, and a new publisher for the man once and still known as John Rickards, and I think the change on all writerly fronts is absolutely the right one to make at this point in his career. THE LEVELS is dystopic without being obvious about it, instead creating a tangible, darkened world each of the seemingly doomed characters inhabits, tries to escape from and ultimately accepts in one form or another. It's the written version of the burnt out, empty buildings captured on film by Godfrey Riggio with Philip Glass scoring underneath - a landscape that repels and attracts but is too busy moving and changing to care what you think or are uncomfortable with. Indiebound | Borders | B & N | Amazon | Powell’s

  • Zoe Heller: The Believers: A Novel

    Zoe Heller: The Believers: A Novel
    On the one hand, I wish I had read this book when it came out in hardcover. On the other hand, I'm glad I waited because THE BELIEVERS demands total attention and now was the time for me to give it. The characters are so caustic and yet inspire such empathy. The narrative moves briskly yet embeds a considerable amount of detail. The dialogue is spot-on and hyper-literate, and Heller is catlike in her observations of family dysfunction, leftist politics and religiosity of all stripes, seeing all and asserting power over her characters, paradoxically, by giving them the floor to screw up and triumph. It is marvelous. Amazon | B & N | Indiebound | Borders | Powell’s

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June 15, 2009

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Comments

Sean Chercover

Terrific interview, Sarah! You rock. Thanks for posting it.

Michael Padgett

Great interview. If you can handle Ellroy you can handle anybody. I'd loved all of Ellroy's stuff up through "American Tabloid", but "The Cold Six Thousand" seemed to take to unreadable extremes the style that started with "White Jazz", and it defeated me pretty quickly. I'm hoping "Blood's a Rover" will be a return to form.

Guyot


Wow, that Colin Harrison guy is a nutjob.

Cara

So glad you posted this. Great job, Sarah. Even though I caught the interview at BEA, it's insightful to hear it again.

Craig McDonald

Great job with Mr. Ellroy, Sarah. "Interviewing" doesn't begin to cover the experience or demands of going toe-to-toe with that author.

Vince

Brava. Well done.

Cine Cynic

Never saw Ellroy in an interview before. Tough guy to interview, especially when there is another very different author right beside. You did a wonderfully balanced job, Sarah.

Kathleen Givens

What a fabulous job you did, Sarah! Bravo, bravo! You made it look easy.

PS

Ellroy is an amazing monster. So excited about Blood's a Rover.

Andrew Hunt

Colin Harrison didn't strike me as a nutjob. He's very eloquent and intelligent. James Ellroy, on the other hand, is very strange. I'm a big fan, but his giant ego is a turnoff. And he is awfully weird in an interview. He keeps getting stranger and stranger the older he gets. And sometimes, his telegraphic writing style gets bothersome. But I still love the guy.

Philip Spazzapan

Impressive interview. Five espresso-hopped rounds with the self-contained Colin Harrison at one end and his (bi?)-polar opposite the Demon Dog at the other. Fire and rain. Plot-spoiler: interviewer withstood the onslaught and lived to tell the tale. Better than that: went toe-to-toe and still standing tall.

Thoughtful questions elicited engaging answers from both authors. Memo to other bystanders: with Harrison you focus and listen and with Ellroy you distill the whirlwind. Great stuff!

One or two bottom-feeders are demanding an encore. Ménage-a-trios, anyone? Just joking.

Tom Sutpen

Ellroy's giant ego is, I suspect, like his professed far-right political bent: largely exaggerated, almost entirely performance-driven, and completely belied by his writing. I don't buy it for a second as something serious . . . and I'm not sure that he expects us to, either.

Joshua Chaplinsky

Got a review of Rover up at ChuckPalahniuk.net

http://chuckpalahniuk.net/reviews/bloods-a-rover#comment-2322106

Hope you don't mind I linked to this vid.

Jeremy Wagner

I was there in the front row. Out of all the publishing industry conferences I've been to, this was the most entertaining panel I've seen. Also, Colin Harrison is one of my favorite authors, so that was a real treat.

Great job, Sarah!

Mark

Sarah,

I am just catching up with this now. Oh my gosh! A tremendous performance.

You rock.
~mb

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